I have had times were I have been very fond of watercolour, mainly as a way of sorting out colour before starting a piece in oil. I have also produced many watercolours for the fun of it, the process being more relaxing and less taxing than oil painting. I have many old sketchbooks full of pictures like this but I haven't really indulged of late.
'Wanganui River View', 1998. Watercolour.
I have had times were I have been very fond of watercolour, mainly as a way of sorting out colour before starting a piece in oil. I have also produced many watercolours for the fun of it, the process being more relaxing and less taxing than oil painting. I have many old sketchbooks full of pictures like this but I haven't really indulged of late.
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'Macchu Picchu, Peru', 2009.
A few pictures today to help illustrate the process I go through with each piece. At the top are the sketches done on site, below that are secondary sketches (though this is the first time I've done it on the board) to work out how to make it into a painting, and then the actual piece itself. I am not very happy with this piece but will do another version of it when I finish the South American series. In the past I have done up to four or five versions of a piece, trying to get it right! 'Montagne Sainte Victoire, France', 2008. Whilst in the south of France for a christening I was asked what I wanted to do with a spare afternoon and I jumped at the chance to see Cezanne's mountain for myself. We had walked up the south face for a bit but on the way back we pulled over and I hastily sketched this view on a 'Post-it' note I found in the car. This photo is a little dark but you get an idea of the colour. |
AUTHORBased in Wellington, NZ, Matthew Summers is an artist and art teacher. His main focus is painting abstract oil landscapes of places he has travelled but he occasionally dabbles in new things. He can be contacted by email for more information or to enquire about purchasing his work. Archives
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